Oh hi, you’re probably wondering what I’m doing posting a review for an old issue of a comic. You see, I’ve decided that it’s time to save all of my reviews from my time at PopOptiq from the website that is just a hollow shell of its former self. Y’see, when the website changed EICs a little more than a year ago, the new editor decided he wanted to make the website more like Buzzfeed and then proceeded to fire most of the staff. He then also claimed copyright ownership of our work.
Well, I know I never signed a contract with you or the previous EIC that said that was okay and my name is on the byline, so…
Written by Christopher Sebela
Art by Claire Roe
Colors by Jeremy Lawson
Letters by Jim Campbell
Published by Boom! Studios
Man, however awkward it was for you to meet your significant other’s parents, surely it won’t beat out Mali meeting Tessa’s.
The issue opens where the previous one left off with the Sequels descending on Tessa, Mali, Lorena and Showtime, who amusingly tries to catch a stick Mali is swinging around. Instead of fighting the Sequels, the four end up making a run for it, escaping on a private jet found through Tessa’s contacts to her home of South Africa. Of course, she doesn’t tell anyone this detail until they get there.
This particular issue is less focused on action, but it doesn’t mean there isn’t a war going on. Instead of Sequels against Sequels, it’s a more personal, emotional war between Mali and Tessa’s mother Jana. Along with being Tessa’s trainer, Jana is also the wife of a former president of South Africa, making Tessa powerful in more ways than one. Naturally, the parents aren’t too fond of Mali. For her father, it’s because of the gay thing. For Jana, it’s because neither Mali or Tessa did their job. There is a little bit of violence between Jana and Mali, but their war is more of that of words. The sad hopefulness of Mali versus the vicious realism of Jana. It adds another layer of emotion to this already heartbreaking and strangely hopeful series.
Hope is really what keeps this issue rolling along, even in the quiet moments Mali and Tessa share in bed that are beautifully illustrated by Roe. You want these two to so desperately get what they want and be able to break the cycle they’ve been trapped in since the beginning of time, but it’s so uncertain if they can. Especially without any losses to their own.
The unfortunately penultimate issue of Welcome Back doesn’t focus on getting to an explosive battle, but rather shifts to a personal battle with a hope for the future. Sebela and Roe do such a great job of showing that conflict and those quiet moments, showing why Welcome Back will be sorely missed when it ends next month.